December 18th, 2014
Clicky to Embiggen…
This was a spot illustration for a magazine called Snow Country done around 1995 (I think). It’s a caricature of a guy whose job it is to pick up all the stuff that drops from the ski lifts of a major ski resort. The story was about some of the crazy “treasures” he finds after the snow melts, so we did a kind of “Indiana Jones” theme. Yes, that is an artificial leg in his bag. This was done in ink and watercolor on illustration board. This is a scan of the original which is still floating around here in a big drawer labeled “Old Crap”.
Tags: freelance illustration
December 17th, 2014
I’m beyond busy right now so only had time for a quick sketch late today. The Lovely Anna and I started watching “Arrow” in the last month or two. Here’s Oliver Queen himself Stephen Amell.
What do I think of the show? It’s kind of a guilty pleasure. It is way too soap opera-ish for me to really love it, and some of the dialogue is George Lucas-level awful, but the action and the slow unveiling of the story on the island keeps me interested.
Tags: caricature, sketch, Stephen Amell
December 16th, 2014
WIRED online reported today that the great Jack Davis, who turned 90 years old earlier this month, has announced he’s retiring from producing work. Jack has slowed down considerably from the days when you basically could not open a magazine, look at a movie poster or see an ad anywhere without it featuring his art, but he has still been doing work for clients like the University of Georgia, various golf and sports magazines and the like recently. Jack claims his work is no longer up to his standards:
It’s not that the iconic 90-year-old cartoonist can’t draw anymore—he just can’t meet his own standards. “I’m not satisfied with the work,” Davis says by phone from his rural Georgia home. “I can still draw, but I just can’t draw like I used to.”
Jack did a fantastic drawing of Batman for the NCS Comic Con T-shirt just this past summer, and it looks like a classic Jack Davis to me. However when you draw at a level like Jack Davis does (i.e. better than just about anyone, ever) maybe you have to be Jack Davis to see your work slipping. Regardless, Jack owes the world nothing since he’s given us so much already. Still, that world seems a little poorer place knowing Jack isn’t picking up his pencil down there in Georgia working his magic. Fortunately for us he was one of the most prolific illustrators ever, and his body of work will continue to entertain and inspire us forever.
So, happy retirement, Jack! Thanks for sharing your incredible talents with the world!
Tags: Jack Davis
December 16th, 2014
I got permission from the folks at MAD to share my piece from the MAD 20 in issue #531. This is an all-digital painted piece, written by Desmond Devlin. Clicky to Embiggen…
Tags: 531, Cliven Bundy, MAD Magazine, Sean Hannity
December 15th, 2014
On news stands everywhere tomorrow, in comic book shops this week, in most subscriber’s mailboxes already and available digitally immediately via the MAD iPad app:
MAD #531 (February 2015)
- Cover (Mark Fredrickson)
- MAD’s First-Ever Guarantee (Writer: Dick DeBartolo)
- The Fundalini Pages (Jeff Kruse, John Martz, Bob Staake, Rick Tulka, Bob Eckstein, Rick Tulka, Anton Emdin, Tom Bunk)
- The MAD 20 Dumbest People, Events and Things of 2014
- The NFL’s Domestic Violence Problem (Uncredited)
- Ebola Hysteria (Uncredited)
- The GM Recall Debacle (Matt Lassen, Scott Bricher)
- The Militarization of the Police Dept (Desmond Devlin, Richard Williams)
- Target’s Security Breach (Writer: Darren Johnson)
- Obama Caught Off Guard (Artist: Richard Williams)
- The “Booty Trend” (Artist: Hermann Mejia)
- The MAD Fold-In (Al Jaffee)
- American Apparel’s CEO Pervert (Jason Katzenstein and Dan Abromowitz, Gary Hallgren)
- Hilary Clinton Cries Poverty (Uncredited)
- The Washington Redskins Stand by Their Name (Writer: Desmond Devlin)
- Chris Christie’s Traffic Scandal (Artist: Ward Sutton)
- CNN’s Endless Flight Coverage (Artist: Timothy Shamey)
- Cliven Bundy’s Standoff (Desmond Devlin, Tom Richmond)
- Rick Perry’s “Intelligent” New Look (Writer: Mike Morse)
- White House Security Breaches (Artist: Scott Bricher)
- Putin Invades Ukraine (Idea: Matt Lassen)
- Donald Sterling’s Racist Rant (Artist: Drew Friedman)
- The Iraq War “Experts” (Lance Hansen, Mark Fredrickson)
- The V.A. Hospital Scandal (Alison Grambs, Mark Stutzman)
- 8 Keys to Becoming a More Effective Supervillian (John Caldwell)
- A MAD Look at the Old Testament (Sergio Aragonés, Colorist: Tom Luth)
- Planet Tad (Writer: Tim Carvell)
- The MAD Vault- MAD #325, Feb 1994 (Desmond Devlin, Tom Bunk)
- Spy vs. Spy (Peter Kuper)
- The Strip Club (Dakota McFadzean, Kenny Keil, Lance Hansen, Kit Livery & Scott Nickel, Jason Yungbluth, Phil McAndrew, David DeGrand, Noah Van Scriver)
- Chilling Thoughts- 2014 Edition (Desmond Devlin, Evan Dorkin)
- Best of the Idiotical (Various)
- One Evening at the White House (Artist: Tom Richmond)
- Drawn Out Dramas- Throughout the issue (Sergio Aragonés)
I have two pieces in this issue, one being the printed version of the single page gag “One Evening at the White House” first posted on MAD’s website. The other is a spoof of the movie poster for ‘A Million Ways to Die in the West” Starring Cliven Bundy, Sean Hannity, and a cow (who is arguably the most intelligent mammal in the image). I’ll post a peek at that when MAD gives me the ok.
In the meantime… what are you waiting for?!? Go out and buy a copy, clod!
Tags: 531, February 2015, MAD Magazine
December 14th, 2014
Q: I was wondering if you could share your shipping methods. Specifically, how do you box up your prints and/or commission work for shipping and what advise you would give to others on how to prepare artwork for shipping in an efficient manner. I feel like I spend way too much time getting artwork boxed up in a safe way that makes me confident it will arrive in one piece. Thanks!
A: This is actually a big concern because shippers do not treat packages very well, especially at the sorting stage. Trust me I know… I worked at UPS for about 6 weeks when I was going to school at the University of Minnesota. Packages were tossed, shoved, dropped and tumbled all around various conveyor belts and chutes on their way to their respective trucks. You need to pack defensively, expecting that sort of treatment and guarding against damage. That mostly means making sure the package has sufficient space between what’s inside and the edge of the box to absorb some damage without affecting the art or print inside.
The prints I sell are easy to ship. I carefully roll them up with a piece of heavy paper that extends past the ends of the rolled print. Then I put it in a poly-bag tube and then into a heavy duty cardboard shipping tube. The paper and the poly bag stuff the ends in tight when the tube is sealed, holding the print in place and protecting the ends from getting damaged. The tube is thick enough that a heavy person would have to step right on it to crush it at all… having even heavy packages on top of it won’t do it. Cheaper tubes would provide less protection.
The books are easier to ship. I use a self-sealing, stiff and padded shipping envelope for them, first putting the book into a plastic sleeve to prevent the pages or cover from rubbing against the inside of the envelope. Then I fold the flap and part of the envelope down until it is tight against the edge of the book, really locking it in there. Then I use a piece of packing tape to reinforce the flap and it’s edges so it cannot pop open if the adhesive fails or the edge of the flap catches on something. I’ve had some books damaged in shipment, but only really egregious mishandling can do it.
Original art is the really tricky item to ship. This is especially true of my original pages from MAD, which are HUGE at 17″ x 22″. There is no easy way to do this. The important thing is to leave plenty of room between the edge of the original and the edge of the packing, and to make the package thick enough so it can’t easily be bent.
I make me own packages out of foam core, but first I cover the art with a flap of heavy paper and tape it with artist’s tape so the surface of the original in protected. Then I cut a piece of foamcoare that is 3 inches more in width and length than the original is. I tape the artwork to the surface of this first piece of foamcore making sure that there is 1.5 inches of space all around the outside of the art. Then I cut at least two more pieces of foam core the same size as the first, and sandwich the first piece between them. This will usually do it, but with some of those big MAD pages I will add a fourth piece of foamcore because the surface area is so large. It would be easy for the edges of the package to get caught up somehow and some other package or weight to end up on the top, bowing the whole thing down and maybe creasing it. Three layers is plenty of anything 11 x 17″ or less though.
One other thing, I always send original art via a trackable service and if possible require a signature for delivery. In this day and age of online shopping and shipping, packages left on doorsteps tend to disappear, and originals are not replaceable.
Thanks to Sean Platt for the question. If you have a question you want answered for the mailbag about cartooning, illustration, MAD Magazine, caricature or similar, e-mail me and I’ll try and answer it here!
December 12th, 2014
If you are like me, you just woke up this morning, looked at the calendar and thought, “Oh, crap! It’s less than two weeks until Christmas Day and I still haven’t gotten any gifts bought for anybody!” Actually if you really ARE like me that ephinany happens to you 0n the 23rd or 24th of December. If that happened to you this morning, you are light years ahead of the game!
In that light, here’s one last pitch to get that special geek in your life something
odd different for the holidays at The Studio Store! Times a-running out to get your stuff shipped to you in time for wrapping and placing under the tree, but I’ll be making daily runs to the post office up until Christmas and guarantee your order with ship the next day! Here are some shortcuts to some of the stuff we’ve got in stock for holiday giving:
Limited Edition “Bats in the Belfry” Batman caricature timeline print- $25
Limited Edition “the Game is Afoot” Sherlock caricature timeline print- $25
Artist proof “The Doctor is In” Doctor Who caricature timeline print- $20
SIGNED COPY of The Mad Art of Caricature!- $20
SIGNED (by Tom) COPY of The Bro Code for Parents- $10.99
December 11th, 2014
This one is the story of the closest I ever got to getting beat up for a caricature I drew. This happened in the summer of 1989 or 1990 while I was managing a concession for Fasen Arts at Six Flags Atlanta. It’s sad that I was in a position of authority and still pulled this stunt… I apologize to Steve Fasen for my actions a quarter of a century ago.
It was a typical day doing theme park caricatures at Six Flags. I was working at our busiest booth located in the center area of the park when I started drawing a group of college frat boys that were there on spring break. There was probably 16 or more of them. They wanted me to commemorate their spring break in the drawings.
All these guys were kind of fat and nerdy… not the Zac Efron frat boys but more the Zack Galifianakis types. Great senses of humor. I did the first one with a six-pack on a beach with some hot girls in bikinis drooling over him. He loved it, and the drawing marathon was on. I did drawings of all of these guys, with each one getting more zany. I had some of them so muscular they had syringes of steroids sticking out of their arms, their swimsuits falling down around their ankles while the ladies looking on were terrified by their manhoods, etc. etc. The drawings became increasingly outrageous, while the caricatures really played up their nerdy faces and fat cheeks. I had the crowd rolling.
The last drawing is where it all came off the rails. The group basically pushed this last guy into the chair. He was the one member of the group who was a good looking, buff, hunk sort of guy. I drew him fat and doughy in a speedo. The gag of course was the juxtaposition of the one good looking jock getting the flabby body while the chubby guys got the hardbodies.
This guy did not like the joke. He got pretty angry and refused to pay for the drawing. He stalked off and his buddies spent the next ten minutes apologizing to me and saying how big an asshole that guy is. Eventually they moved off. That’s when I made a bad choice.
Instead of tossing out the drawing and moving on, I took a little time to add to it. I gave him a bikini top, saggy boobs, long hair and makeup… basically making him look like a really bad female impersonator. Then I hung it up on the wall as a sample for everyone passing by to see.
Along that group came later in the day. When they saw the revised drawing I thought they were going to piss their pants. When the subject saw it, he took a run at me but half a dozen of his frat brothers restrained him and told him he deserved it for being a vain jerk. the angry guy told me he’d see me in the parking lot after the park closed. He obviously wasn’t going to school on an academic scholarship. Even an idiot would probably realize employees parked in a totally different area than the paid parking for guests. I never saw him after close. Best of all, the other guys chipped in a bought the drawing from me and took it with them!
I can only hope that pretty boy was mercilessly tortured by that group for the rest of his college career with that drawing!
December 10th, 2014
This week’s SotW is Italian actress, model and recently announced newest Bond girl, the stunning Monica Bellucci. For those American audiences who might not be familiar with Ms. Bellucci, she played Persephone in the final two Matrix movies, Mary Magdeline in “The Passion of the Christ”, starred opposite Clive Owen in the forgettable action film “Shoot ‘Em Up”, and in my personal favorite was one of Dracula’s brides in Francis Ford Coppola’s “Bram Stoker’s Dracula”. Incidentally at 50 she will be the oldest Bond girl ever.
Tags: 007, caricature, James Bond, Monica Bellucci, sketch, Spectre
December 9th, 2014
I am swamped right now to the point of near panic, thanks to a week out of the studio and multiple time consuming jobs now due, about due, and overdue:
- Jeff Dunham Illustrations- Several down but one more to finish on a multiple illustration job for some products for Jeff’s new Las Vegas show
- Z People Comic- Inking and coloring pages galore
- Penthouse- Just finished three new Dave Navarro caricatures for his column in the magazine, with a set of three more to go
- Marlin Co. Poster- My usual monthly assignment
- NCS Reuben Awards Brochure- Will debut this next month when it’s in member’s mailboxes
- Private commission- Long LONG overdue
Whew. Not sure if I’ll have time for Christmas.
Here’s last month’s Marlin poster illustration, rough sketch and final color: