This week’s Monday MADness is a look at the first collaboration between me and my fellow creator on “Goodnight Batcave” MAD editor Dave Croatto. It’s a parody of the TV show “Queer Eye for the Straight Guy” from MAD #443, July 2004. READ MORE
Q: How do you choose the colors for your drawings? Is there something like a Tom-Richmond-color-palette? A: My PhotoShop swatch palette is a Frankenstein-ed amalgamation of colors which includes ones I have found I like the look of in print and kept a sample of for future use, standard PS colors, and a palette of comic book orientated colors I got off the internet from somewhere years ago. It’s a real mish-mash and very disorganized. However, if anyone is interested in having it, here it is. Thanks to Dominick Zeillinger for the question. If you have a question you want answered for the mailbag about… READ MORE
From the National Cartoonist Society: Artwork by Luke McGarry The National Cartoonists Society announces an exciting new offer for young cartoon professionals! The National Cartoonists Society, the world’s largest and most prestigious organization of professional cartoonists, is delighted to announce a new program designed to help and encourage young cartoonists who are at the outset of their careers. Nicknamed “The 27 Club,” the Young Professional Program offers cartoonists and creators under the age of 28 the chance to join the hallowed ranks of the NCS at a massively discounted membership rate of only $27 per year! This initiative gives young cartoonists the opportunity to mingle… READ MORE
Photo by Greg Feinberg If anyone out there is on the fence about taking my final 2017 caricature workshop on Sept 15-17th here in Eagan, MN, don’t delay much longer. I’m giving it until July 12th to reach my minimum of eight students and if I am short I’m afraid I’ll have to cancel the workshop. Read HERE about what these workshops are all about, and register for the September workshop HERE. READ MORE
Another Skecth o’the Week cop out this week as I am trying to finish a major project before I head off to Germany this weekend to visit my son who’s studying there and conduct my Munich workshop. Here’s one from my book of Jay Z. READ MORE
The folks at Comic Con International are stepping up their game with this nifty welcome box containing our exhibitor badges and other goodies for the 2017 San Diego Comic Con, which just came in the mail yesterday. The Lovely Anna and I will be there at table I-02 throughout the show with our usual assortment of crap including signed copies of The Mad Art of Caricature, Sketch o’the Week Volume One and Goodnight Batcave, numerous limited edition prints including a brand new one that I’ll be doing sneak peeks of shortly, signed copies of MAD, assorted mini prints, and of course personal caricatures/commissions. One thing… READ MORE
Oh, ye of little faith. A week or so back I posted about the uncertainty of MAD‘s future since basically none of the current longtime staff of editors and art directors were moving out west with the closing of MAD‘s NYC based offices. My post was mostly about the fact that DC Entertainment has given no one any idea of their plans or who might be taking the helm of the magazine. I got a number of responses on my Facebook page basically sounding the death knell of MAD, to which I replied: “I think it’s a little too early to be writing MAD‘s epitaph.… READ MORE
Q: What age did you start drawing caricatures? A: I’ve been drawing caricatures all my life, since I was a little kid, I just didn’t know what I was drawing were caricatures. I thought they were just funny drawings of people. It wasn’t until later in life I associated what I was doing with the term “caricature”. When I was in high school I drew a series of comics called “Baby Bill”, which were satirical “adventures” of me and my high school buddies but as babies. These are long lost but thinking back I did infant-version cartoon caricatures of all of us. We were babies… READ MORE
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