By: Tom Richmond

Sketch o’the Week- Adam Baldwin!

November 12th, 2015 | Posted in Sketch O'The Week

Since I posted yesterday about Veteran’s day, this week’s SotW is a day late but a full TWO dollars short. Another in my series of caricatures of the cast of “Firefly”, here’s Adam Baldwin as Jayne Cobb. As always, the original of this sketch is available for purchase in The Studio Store. READ MORE

Saluting Our Veterans

November 11th, 2015 | Posted in General

Today is Veteran’s Day. It’s a day where we all should take a little time to thank the men and women who have served our country in the military… regardless of your politics. I never served in the military. It wasn’t something I ever even considered, being focused on college and becoming a professional artist. My grandfather was a World War II veteran, serving in Guam and the South Pacific. He was not at Pearl Harbor, but traveled to many of the other islands in the Pacific, especially after the war to clean up and secure the areas. My uncle (his son) served during the… READ MORE

On the Drawing Board- 11/10/15

November 10th, 2015 | Posted in On the Drawing Board

Thanks to sudden death in the family that took up a lot of my time in October I just spent the last two weeks digging myself out from under a pile of several freelance jobs, so actually the drawing board is a bit light at the moment. Here’s what I finished up since the beginning of the month: Two (count ’em… TWO) jobs for the upcoming MAD #537, both different from my usual work. A Marlin Co. illustration (pictured above) A couple of smaller projects that had been put off for way too long What I’m working on now: Another Marlin illustration “Z-People” comic book… READ MORE

Monday MADness- Entourage!

November 9th, 2015 | Posted in Monday MADness

Back in MAD #476, April of 2007 I did the art for a parody of the TV show “Entourage”, written by Arnie Kogen. The opening splash called for one of the show’s famous party scenes where you could always count on a couple of gratuitous celebrity cameos. Here is the art progression from (very) rough sketch, final pencil, and inks leading up to the finished art above (clicky any to embiggen…): The rough sketch… The final pencil… Finished inks… READ MORE

Sunday Mailbag- What ____ Do You Use?

November 8th, 2015 | Posted in Mailbag

Welcome to my every-year-or-so answer to the perpetual question “What kind of ______ do you use?”… Updated to November 2015 accuracy. In the Studio For doing my publication work I use a lot of different tools and materials. While most of what I do these days is digital I do occasionally, when the job calls for it, pull out the old paints and such. Here are the tools I like to use in the studio: Pencils– Honestly I usually use whatever I end up grabbing from my eight or so coffee cup/jars full of drawing utensils near my board. For years I used a clutch-type… READ MORE

Dreaded Deadline Demon

November 3rd, 2015 | Posted in General

The last few weeks have been usurped by sudden family obligations, which has put me horribly behind on several jobs. Posting will be pretty sporadic here for the next week or so… READ MORE

Monday MADness- Manic Mel!

November 2nd, 2015 | Posted in Monday MADness

In last week’s Monday MADness I shared a piece from MAD #471, November 2006 called “When Video Games Become Religious”. I actually had two pieces in that issue… the second being the above rare comic-strip format piece in the Fundalini Pages called “One Afternoon on Pacific Coast Highway”, commenting on Mel Gibson‘s then-recent drunken anti-Semitic rant after a traffic stop. Original pencil rough below.   READ MORE

Sunday Mailbag- Some Faces Easier to Caricature?

November 1st, 2015 | Posted in Mailbag

Q: Based on your past experiences, do you find that it is easier to do caricatures of some people over others? A: Yes, of course. Caricature is based on an artist’s perception of a subject and their features. Some subjects have obvious physical or personality-based traits that jump right out at you, and those types of faces are easier to caricature not because they are easier to draw (they have the same features everyone else has) but because you identify what features you are going to exaggerate and how to stretch them without much effort. As you develop your “eye” for caricature, more and more… READ MORE

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