Rather than dig through a bunch of old stuff this week, I though I’d share the rough sketches I did for the recent parody of “True Detective” in MAD #528. Here they are, followed by the final art… clicky any to embiggen:
Yes, these roughs were all done digitally using my super-sized Cintiq. Why digital, when I have repeatedly professed my dislike for drawing on the computer? There are a couple of compelling reasons.
First, the very fact that I don’t enjoy the tactile sensation of drawing on the screen is a plus. It keeps me from becoming too enamored of the quality of the linework and niceties of the pencil’s values and texture. This is just pure composition, form and function.
Second, I have a hard time drawing things at the size required for the panel in question, especially caricatures. Often I am working on a caricature and just when I get it right I find I drew it too big. Instead of either erasing and redrawing it, or scanning it in, shrinking it in Photoshop and doing a light table job to get it the right size, I just lasso it and resize it to fit. In fact I can move around and resize anything I want in these layouts to get them to work the way I want, without having to conform my drawing to do that in the first place. Big time saver.
Third, I work these roughs out tight enough that I can ink via a light table with only doing additional pencil drawing on the faces and some of the elements I decide I want to change. This causes me to draw with the ink rather than just trying to recreate the pencil lines in ink, and little or no erasing needed. I get a more spontaneous feel to the inks this way, and save time not having to erase the hell out of my boards before I scan them.
Anyway, I like this process. Here are the finals of the pages above:
755 My cover art for the next issue of MAD, exclusive sneak peek from @entertainmentweekly website
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