This series of “How to Draw Caricatures” tutorials are a just a small taste of a larger and much more in-depth book I wrote called The Mad Art of Caricature! The book is 175 full-color pages, lavishly illustrated and contains greatly expanded explanations of the concepts presented in these tutorials, as well and a great deal of additional material on caricaturing other facial features, posture, hands, expression and more, techniques on drawing from live models, doing caricature for freeplace illustration and for MAD Magazine. This is a must have book for anyone interested in caricature, cartooning or humorous illustration. You can order it online here.

Part Two: Relating the Features

Previously I mentioned how the relationships between features are the driving force behind caricature:

“Caricature is not about choosing one feature and making it bigger, it’s about all the features together and how they relate to one another.”

Actually caricature is about changing the relationships between features, meaning their distance, size and angle relative to one another, from what they truly are and what is considered “normal”. Deciding what relationships to change and how much to change them is one of the caricaturist’s most important jobs, and one of the most difficult to “learn”. The actual difference between the relationship of features of most humans does not add up to much in terms of physical measurements… a “big” nose may be only a fraction of an inch larger than a “normal” nose. Yet we can see different feature relationships on almost everybody, some which seem very pronounced. That is because we spend basically our entire lives looking into people’s faces… we go it when we interact, work, play, go shopping or to church… we are social beings and our faces are both our identities and our method of communication. Our ability to observe minute differences becomes very fine tuned. Mostly it’s unconscious, but we see that fraction of an inch larger nose as “big”, or we see this person’s eyes as large or this person’s mouth as small based not on physical measurements but on our overall perception of the features and how they relate to one another. Consciously making those observations, especially for those faces in which the unique aspects are not obvious, is the most difficult part of drawing caricatures. There are some techniques and methods you can use to help make those observations. (more…)