I almost made it to the end of my comic book project without resorting to the DDD… but not quite.

Two jobs with deadlines today and a bunch of stuff to do before a short trip to Orlando requires an appearance by the Dreaded Deadline Demon. Bummer.

Welcome to December!

Yeah, mon. After a long planned weekend getaway in Jamaica I am now once again behind the eight ball on deadlines. Jamaica was fun. Never been before, but the people there are as friendly as you can get. It seems like you are being a smartass saying “mon” to everyone but they love it when you talk to them in their “patwa”, which is what they call Jamiacan lingo.

Oh, crap. Forgot about the deadlines for a second… Poster job today and then on to an elaborate MAD job.

Not really a deadline per se today, but after hoping to write a long post about the National Caricaturist Network Convention and how joining the organization changed my career, I am now coming to the realization that is not going to happen today. Too much to catch up on and not enough time. So, the Demon makes an appearance today, with the promise of that NCN post tomorrow.

On the plus side, I deadlifted 385 lbs for six reps this morning and didn’t throw up. Much.

Monday deadline blues…. Look for an “On the Drawing Board” post tomorrow with a “step by step” of a recent job.

I was hoping to avoid an appearance of the Demon, but several jobs that need to be finished prior to my leaving for Germany on Sunday are keeping me hopping. Sorry about that…

Deadlines conquered… again. I had to pull an all-nighter last night to wrap up that MAD job but as they say in the business it’s “in the can!” (okay, that reference is actually from the movie business reffering to when filming is complete and the film reels are in their metal containers, but who cares?).

I sometimes get comments from fellow cartoonists and/or illustrators about the amount of work I do, and it’s assumed I must work very fast to squeeze in that kind of volume. In truth I don’t really work that fast, and any reputation I may have for being prolific is much more a function of endurance than speed. When things get overwhelming and deadlines get out of hand, I can shut down the rest of my life and work 18 hours straight in the studio daily, with about 2 hours personal time for luxuries like eating, showering and making sure none of my family has run away and joined the circus, and around 4 hours of sleep. I can survive like that for about a week before it catches up to me. Usually even the toughest of jobs will only take a few days of that kind of intensity to finish, and in general one to two of those a month in all I need to keep things rolling. No, The Lovely Anna doesn’t like it, but she just pretends I am out of town on business. If I bump up the sleep to between 5 and 6 hours a night, I can go indefinitely.

It’s the all-nighters that can kill you.

I try to avoid those at all costs these days. It takes either a mix-up on the deadline or some unforeseen complications to force me to stay up all night to finish a job. It’s not healthy. Willpower can overcome most physical limitations for a while but eventually the body will demand it’s basic needs. It’s also not just a matter of staying awake… you have to stay sharp and able to do your work at a high level. That’s what makes all-nighters dangerous… if you work suffers then you might as well have just blown the deadline. I’d rather do that then turn in lousy work. When I start hallucinating, that’s when I call it quits. I’ve gotten the crap scared out of me at 4 am in the studio when I think I catch movement in my peripheral vision, and the dark man-shape that startled me turns out to be my very immobile Batsuit on a mannequin. Actually I’ve discovered that it’s best to avoid all-nighters completely by taking 1 hour power naps rather than attempting a total night without sleep.You might be tired, but it will prevent you from completely shutting down.

Really the only time I can pull an all-nighter these days is on a job where the final stage is done in my digital line-and-color style. The computer is much more forgiving than, say, inking. I can listen to some audiobooks to keep focused and on-task, and then just sit down in my expensive and ergonomic task chair and color the crap out of whatever I am working on until the sun comes up.

Today is “recovery day”. After a job like that is finished by and all-nighter, I grab a few hours of sleep and then drag myself up and slog through the rest of the day. I avoid any caffeine. I try and get a little exercise, but lifting weights is pointless as I lack the concentration and strength needed to accomplish anything in the gym. I try and do left-brain, analytical things and let the creative side of my brain heal. Then I force myself to go to bed at a decent hour… that’s harder than it might seem as my body is now used to working at night and I will become more alert and awake as the night gets later. The worst thing you can do is resort to any kind of sleeping aid to get to sleep, especially alcohol. If I feel it will be a major problem getting to sleep, I will take some melatonin and a substance called 5-HTP about a hour before bed. Both are natural substances that help regulate your body’s seratonin levels, and will help your body put ITSELF to sleep and keep it asleep. They also will not interfere with your sleep patterns/REM phases of sleep and will allow you to get the restorative rest your brain and body need to rejuvenate itself. A friend of mine turned my on to the 5-HTP as he had the same problem with melatonin I had… that it would put me to sleep but I’d wake up after 4 hours or so and be unable to get bacK to sleep. 5-HTP has more of a long lasting effect, so together they work well. You can get them both at your local vitamin store.

Time to get on with recovery day!

Ugh. Currently paying the price for my time away from the studio… and I even spent a good part of my time away WORKING!!