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Remembering Al Hirschfeld

Monday, January 21st, 2013

Yesterday marked the 10th anniversary of the passing of the great Al Hirchfeld. Maybe it doesn’t show in my style much, but I count his work as a main influence, and inspiration, behind my wanting to do caricature illustration. I got to meet Mr. Hirschfeld once, and that meeting led to my getting the original pictured above. You can read that story here.

This fall The Lovely Anna and I took a trip to Los Angeles—just for fun and to see some people there who have become very dear friends. We went out sightseeing one day, and visited the Paley Center for Media on North Beverly Hills Drive, which had (and still has) an exhibit of Warner Bros TV memorabilia. It was a fun exhibit, with things like the Central Perk set from Friends, Lynda Carter’s Wonder Woman outfit, and many other cool things from TV shows.

The highlight for me, however, was as we exited. Going down this long ramp, we ended up in a side area of the lobby that had several dozen framed Hirchsfeld pieces from television history. I Had no idea this was there, so it was a complete surprise! I think they were all limited edition prints as opposed to originals, but they were still great fun to see. Here are a few pictures I took of some of the ones I liked the best (sorry for the glare and bad focus in some):

 

Very cool to see the color ones. You would think Hirschfeld’s style, being so identified with line, would not translate well to a painted look, but it did. He did quite a bit of color cover work for TV guide and other publications.

The Al Hirschfeld Story

Tuesday, February 5th, 2008


Me by the legendary Al Hirschfeld!

I meant to do this post back on January 20th, since that was the 5 year anniversary of the great Al Hirschfeld‘s death, but I guess all the Mai Tais I was consuming made it slip my mind. I was going to tell the story of my meeting Hirschfeld and how I got the above piece of priceless caricature art.

I was elected president of the National Caricaturist Network in 1999, during their annual convention of that year. At the time, the NCN was growing rapidly and we were trying to put on a second event, a “Mini-Con”, at some point during the summers to allow new members and old a second chance at gathering together. It just so happened that very summer was going to be the premiere of a traveling retrospective gallery exhibit of the work of legendary caricaturist Al Hirschfeld… the first of it’s kind for the artist I believe. Planning a mini-con around the opening of the exhibit was a natural, so I looked into planning an event nearby the museum.

I was expecting the show to debut in some New York museum, but instead it opened at a very small museum called the New Britain Museum of American Art in New Britain, CT. New Britain is a smallish Connecticut town without much in the way of hotels or venues for conventions. We found a place that would suit our needs (barely) in a Ramada Inn right there in town. I also convinced newly minted MAD Magazine Art Director Sam Viviano to come up from New York to be our guest speaker ( I had ulterior motives for that, but that’s another story…). The entire experience at the hotel was a mixture of misadventure and disaster, starting with the fact that right before the convention was to start they lost their Ramada franchise rights and overnight the hotel changed to the “Central Inn”, which caused incoming attendees to drive around the area in confusion looking for a “Ramada Inn” sign. There were also two other groups in the hotel with us… a “Dungeons and Dragons” convention called “RuneCon” and a group of cult-like traveling magazine subscription selling crazies. The former broke into spontaneous war-ax battles in the hallway yelling in orc-tongue while the latter staged rally meeting that looked and sounded like insane tent revival services. But I digress… We did get to meet Hirschfeld, who was attending the opening reception of the show.

Being president o the National Caricaturist Network didn’t have many perks, but one of them is that when you plan a mini-con around an Al Hirschfeld appearance you get to be the one to meet the man and interview him for the newsletter. I had contacted him months beforehand and spoke at length to his wife Louise, explaining about our organization and our plans to attend the event. They made plans to allow us to have a brief Q & A with the artist and for me to interview him. I taped that interview, and still have the tape around here somewhere… if I ever find it I’ll digitize it and post in for people to listen to. He was 96 at the time, and sharp as a tack. Art-wise I don’t think he was particularly impressed with our group as a whole, but he was very gracious and eloquent.

There were two things I remember him saying during the interview that I found most interesting and fascinating. One was about his belief that an artist’s surroundings influences their artistic expression:

“You know, it’s no accident that the great painters came from areas like Europe where there is a lot of clouds and rain, which begets color and subtle washes of tone. Most great graphic artists come from areas with prevalent sun, where line and shadow are paramount.” – Al Hirschfeld, 1999

He was referring to how his move to the sun soaked island of Bali as a young man caused him to become interested in line.

He also gave this bit of advice to budding caricaturists:

“Try to distill the character of your subject. Understand how he moves, thinks, acts. It’s difficult to put into words. Consider each drawing as a problem that did not exist before, and then try to solve that problem to the best of your ability. That i what caricature is all about”- Al Hirschfeld, 1999

Those are direct quotes from my interview with him. It was a great pleasure to meet the man, and the show was fantastic.

As to getting the caricature of me… I wish there was a great story behind that like the one of my wife getting the Mort Drucker caricature of me without my knowing. Unfortunately there is no real story to this one. I simply called his agent and commissioned him to do it. Anyone who wanted to spend the money could get an Al Hirschfeld original of them.. several of my caricaturist friends got ones of their own after I commissioned and received mine. Hirschfeld asked for multiple pictures and a paragraph describing me, what I did, what my interests were and such. The result you see above, which proudly hangs in my studio today.

 

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