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Archive for July, 2011

Comic Con MAD Panel

Thursday, July 7th, 2011

My official schedule at Comic-Con is slowly coming into focus, but still has a lot of question marks. However this panel was just announced:

Thursday, July 22nd:

4:30-5:30 MAD Men— What’s up with America ‘s most famous humor magazine (that is, if you don’t count Newsweek)? Your genial moderator Mark Evanier quizzes the Usual Gang of Idiots: editor John Ficarra, art director Sam Viviano, writer Dick DeBartolo and artists Sergio Aragonés, Peter Kuper, Tom Richmond, and Keith Knight. Room 8

That one will be fun, especially moderated by the insanely busy Mark Evanier, who moderates just under 1,000 panels every Comic-Con. Per day.

Otherwise I will be at booth #4616 all the rest of the con. Except when I’m not there.

Sketch o’the Week

Wednesday, July 6th, 2011

This week’s SoTW subject is the notoriously hard-to-caricature Tom Hanks. I’m not sure why he is such an elusive subject, but he’s getting easier to draw as he gets older.

On the Drawing Board- 7/5/11

Tuesday, July 5th, 2011


Click for a closer look…

I’ve been swamped all summer, but have put several projects behind me in the last few weeks including:

  • Sports Illustrated Kids- 2 pager
  • MAD animated show work- Season Two begins
  • Jeff Dunham Illustration Work
  • The above Marlin Co. Poster illustration

I have just a few jobs on the board right now:

  • MAD- 6 page parody for #511
  • Yet another Marlin poster
  • More Jeff Dunham stuff
  • THE BOOK

Sunday Mailbag

Sunday, July 3rd, 2011

Q: As a young artist, I try to practice drawing cartoons and caricatures. From your point of view, what are some good famous people to draw to help me improve in all areas of drawing caricatures? Example– (insert famous person here) is good to draw to practice on hair and wrinkles.

A: There is no good answer for that because just about any face, celebrity or otherwise, will provide good practice for some feature or other.

In fact, the process of looking for a face that you would identify as being good to practice drawing hair, wrinkles or any other aspect of the face is as important as actually doing the practice drawing.

So much about caricature (and drawing) is SEEING. Developing your ability to identify what it is about a face that makes it unique is learning how to “see”. Being able to look at a face and say “look at the wrinkles on this guy! That would be a great face to draw with all those wrinkles” is half the battle of drawing caricatures. Being able to draw really good wrinkles is important, but you can’t caricature them if you don’t see them as an important element of the face in front of you.

A great exercise is to identify some aspect of drawing you are struggling with, like hair or noses or whatever, and then consciously look at these features on people trying to identify ones that are unique and “caricature-able”. You don’t necessarily have to even draw them . . . just look. Later, you can try to draw them from memory or save the picture from the magazine or website you saw it at and draw it in your sketchbook, but to begin with just look for them. You will begin to see and notice things you missed before.

Oh… and Lance Henriksen is great for practicing drawing wrinkles.

Thanks to Ryan Dervay for the question. If you have a question you want answered for the mailbag about cartooning, illustration, MAD Magazine, caricature or similar, e-mail me and I’ll try and answer it here!

MAD stuff from the Cartoon Network Show

Friday, July 1st, 2011

This is the last of the art I did for Season One of the animated MAD show on the Cartoon Network.  these appeared on the episode that aired this week in a segment called “Glee-VR”, and the subjects are Jared Padelecki and Jensen Ackles from the TV show Supernatural. I already have one episode for Season Two “in the can” as they say in the business.

 

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