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Archive for March, 2011

Sports Illustrated Kids Illustration

Monday, March 7th, 2011



Click for a closer look…

There are a lot of magazines I’d really like to do work for, but high on that list has always been Sports Illustrated Kids. I was therefore thrilled when I got a call from SI Kid’s art director asking if I was available to do a piece for them. The project was a two page spread featuring caricatures of several pro athletes engaging in the jobs they were quoted as saying they’d like to have if they weren’t professional athletes. The result is the image above, which appears in the March 2011 issue on news stands now.

Here’s one of the rounds of pencil sketchs placed in the mock layout they sent me:

Click for a closer look…

And here are closer looks at the individual athletes:

Washington Mystics guard Katie Smith

Houston Texans’ running back Arian Foster


NY Yankee’s outfielder Curtis Granderson and
Washington Redskins Tight End Chris Cooley


U.S. Ski Team’s Lindsey Vonn


Indiana Pacer’s forward Danny Granger


A very fun project. Hopefully the first of many.
 

Sunday Mailbag

Sunday, March 6th, 2011

Q: This is a follow up question to last Sunday’s mailbag (about computer crashes). I fix Macs, and something I hear all the time from photographers is that the glass panel on the iMacs makes it tougher to accurately edit photos.  Do you have that problem as an illustrator? Am surprised to see you’ve gone with an iMac, so I’m wondering if the glare doesn’t bother you, or if you work in a dark room. :)

A: I don’t have that problem for two reasons. First, my studio lighting is of the halogen track lighting variety and the fixtures themselves are almost directly above my head. Therefore it is impossible to see a reflection from the lights themselves on the screen… one of the bigger culprits with the glassy surfaces of the new Macs, also, my screen is tucked beneath a 12 inch shelf that further shields it from direct lighting. Because of the way the studio is lit, I really don’t have any glare  or reflections on my screen. The second reason is I do all my actual artwork on the Wacom Cintiq 21ux, which has it’s own screen and that has a sort of half glassy, half matte surface that reduces glare and keeps the colors truer.

I actually like the glassy screens on the new Macs. I used to have one of those 30″ Apple Cinema Displays with the matte screen and the colors on the new iMacs are much sharper and more dynamic. Maybe that isn’t so good for color proofing work, but I go by the colors on my Cintiq and know what to expect in terms of color shift from experience anyway. Other stuff looks great on that iMac screen, like video or regular computer stuff.

I was a little nervous trading in my Mac Pro for an iMac… but not because of the screen glare issue you mentioned. I don’t like having a computer where I cannot open up the case and replace or add a hard drive, dvd drive, etc. I went with it because desktop computers have reached the point with processing and graphics power and memory, available RAM and such that the work I do not longer requires a high end graphics workstation. Computers like a Mac Pro are really only necessary for CAD/CAM work, heavy duty video editing and animation/3D rendering. This iMac is actually quite a bit more powerful than my 5 plus year old Mac Pro was, and was less expensive than even a low end new Mac Pro. Plus no cables everywhere and less space utilized. Winning!

Thanks to Mike Solin for the question. If you have a question you want answered for the mailbag about cartooning, illustration, MAD Magazine, caricature or similar, e-mail me your questions and I’ll try and answer them here!

 

Riffed on Comic Riffs!

Saturday, March 5th, 2011

Michael Cavna posts about the upcoming Reuben Awards on his excellent blog Comic Riffs, including statements from Cartoonist of the Year nominees Stephen Pastis, Richard Thompson and Glen Keane and some blathering by me about the NCS art I posted yesterday.

2011 NCS Reuben Art

Friday, March 4th, 2011


Click for a closer look…

Having just received my official 2011 NCS Reuben’s Weekend brochure in the mail yesterday, I would say it’s okay to share the artwork I did for it and this year’s Reuben’s T-Shirt. NCS president Jeff Keane had me do an illustration this year that worked on both the t-shirt and the brochure, which means a lot of cartoon characters. Therefore we didn’t include any of the guest speakers this time around, but limited the “real people” to master of ceremonies Tom Gammill, NCS Gold Key Award (the NCS Hall of Fame) winner Roy Doty, the 2011 Milton Caniff Lifetime Achievement Award recipient R.O. Blechman, and Cartoonist of the Year nominees Glenn Keane, Stephan Pastis and Richard Thompson.This year’s Reubens will be held in Boston, MA.

This is the piece I was inking when on vacation in Hawai’i. The board got a little soggy from the humidity, but on the plus side it smells like the ocean.

Stay Tooned #6 is OUT!

Thursday, March 3rd, 2011

The sixth issue of John Read‘s excellent cartoon industry magazine Stay Tooned! is officially released today. I got my copy a day or two ago, and John continues to produce a top notch publication. Here’s the lowdown on this “Mike” issue:

Issue 6 (available beginning March 3rd and until it inevitably sells out) features a multitude of Mikes: new profiles (that’s interviews and art galleries) of Mike Arnold, Mike Cope, Mike Edholm, Michael Jantze, Mike Lynch, Michael Maslin and Michael Ramirez; Cartoonist Surveys conducted by David Paccia with Mike Marland and Mike Shapiro; a “True-Life Adventure” told by Mike Mignola.  Photo reports share John Read’s “One Fine Sunday in the Funny Pages” travels to Disney ToonFest and Omaha, Nebraska, and his visit to the Cartoon Library at Ohio State University for the Sunday Funnies stamps First-Day-of-Issue ceremony.  AND: articles/columns contributed by Tom Richmond, R.C. Harvey, Jim Ivey, Rich & Neil Diesslin and John Hambrock!

If you haven’t been getting Stay Tooned, you’ve both been missing out and have missed out… meaning issues 1 through 5 are totally sold out and you are SOL… in fact issue six might be sold out in the time it took me to type this blog post!! Go get a subscription, quick!

Sketch o’the Week

Wednesday, March 2nd, 2011

As I am still swamped with catch up work following my vacation, this week’s “Sketch o’ the Week” is another cop out from an actual job. These drawings are part of a concept study for a statue that may or may not be produced as a promotional item for the film “I Want Your Money”, for which I did a bunch of animated character design and storyboard work.

Evolution of a MAD Logo

Tuesday, March 1st, 2011

Here is an interesting time line of the evolution of MAD Magazine’s logo:

The illustrations within the logo appeared intermittently after the solid color one debuted in MAD #87, and pre-1955 several issues of MAD had a logo that matched the cover concept, like a parody of LIFE magazine in MAD #11, a newspaper headline in MAD #16 and a few other examples.

This is from the MAD Mumblings forum I mentioned yesterday, courtesy of contributor Mark AKA “THEMADBUG!” from Australia. The thread it’s from is a petition to get MAD to revert to the classic logo that was used for over 30 years from 1964 to 1997. Personally I think the current logo fine (although I am glad the slant of the italics has lessened gradually since 1997), but would have no problem with a return to the classic one, either.

 

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