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	<title>Comments on: Sunday Mailbag</title>
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	<link>http://www.tomrichmond.com/blog/2009/11/08/sunday-mailbag-173/</link>
	<description>Tom Richmond- Cartoonist and Humorous Illustrator</description>
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		<title>By: Tom</title>
		<link>http://www.tomrichmond.com/blog/2009/11/08/sunday-mailbag-173/comment-page-1/#comment-56737</link>
		<dc:creator>Tom</dc:creator>
		<pubDate>Mon, 30 Nov 2009 21:29:09 +0000</pubDate>
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		<description>Yes, there are many branches of professional art where a variety of styles is important. Character design for animation is clearly one... working in only one style would make you (at best) a one hit wonder. Steve Silver has told me many times being identified with a single look in character design is the kiss of death in the animation biz.

I am definitely coming from the editorial illustration angle on this.</description>
		<content:encoded><![CDATA[<p>Yes, there are many branches of professional art where a variety of styles is important. Character design for animation is clearly one&#8230; working in only one style would make you (at best) a one hit wonder. Steve Silver has told me many times being identified with a single look in character design is the kiss of death in the animation biz.</p>
<p>I am definitely coming from the editorial illustration angle on this.</p>
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		<title>By: Ask Mr. Artist Guy: Should An Illustrator Work In Multiple Styles? &#171; Cedric&#8217;s Blog-O-Rama!</title>
		<link>http://www.tomrichmond.com/blog/2009/11/08/sunday-mailbag-173/comment-page-1/#comment-56729</link>
		<dc:creator>Ask Mr. Artist Guy: Should An Illustrator Work In Multiple Styles? &#171; Cedric&#8217;s Blog-O-Rama!</dc:creator>
		<pubDate>Mon, 30 Nov 2009 18:01:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.tomrichmond.com/blog/?p=6664#comment-56729</guid>
		<description>[...] on November 30, 2009 by cedricstudio   Recently my friend and fellow illustrator Tom Richmond posted a very thoughtful article about this question on his blog. Tom specializes in caricature illustration and made a good case [...]</description>
		<content:encoded><![CDATA[<p>[...] on November 30, 2009 by cedricstudio   Recently my friend and fellow illustrator Tom Richmond posted a very thoughtful article about this question on his blog. Tom specializes in caricature illustration and made a good case [...]</p>
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		<title>By: Cedric Hohnstadt</title>
		<link>http://www.tomrichmond.com/blog/2009/11/08/sunday-mailbag-173/comment-page-1/#comment-56728</link>
		<dc:creator>Cedric Hohnstadt</dc:creator>
		<pubDate>Mon, 30 Nov 2009 16:06:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.tomrichmond.com/blog/?p=6664#comment-56728</guid>
		<description>Great article Tom! Gave me a lot to think about.

I agree that both approaches have their pros and cons. I myself work in multiple styles and it seems I am always busy, but one of the cons is that when I promote myself it is harder for me to stand out from the crowd. I think you are partly right when you say being a &quot;Jack of all trades&quot; limits how high you can go in your career. I think it depends on what type of illustration you do. If you work primarily in editorial (magazines, books, etc.) I think your point is more true. If you work in advertising or animation, maybe not so much. In those industries flexibility of style is more of an asset.</description>
		<content:encoded><![CDATA[<p>Great article Tom! Gave me a lot to think about.</p>
<p>I agree that both approaches have their pros and cons. I myself work in multiple styles and it seems I am always busy, but one of the cons is that when I promote myself it is harder for me to stand out from the crowd. I think you are partly right when you say being a &#8220;Jack of all trades&#8221; limits how high you can go in your career. I think it depends on what type of illustration you do. If you work primarily in editorial (magazines, books, etc.) I think your point is more true. If you work in advertising or animation, maybe not so much. In those industries flexibility of style is more of an asset.</p>
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		<title>By: Nelson Dewey</title>
		<link>http://www.tomrichmond.com/blog/2009/11/08/sunday-mailbag-173/comment-page-1/#comment-56725</link>
		<dc:creator>Nelson Dewey</dc:creator>
		<pubDate>Mon, 30 Nov 2009 08:49:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.tomrichmond.com/blog/?p=6664#comment-56725</guid>
		<description>I think your (cool) &#039;no black lines&#039; style is quite similar to &#039;self-tracing&#039; in animation art: &#039;...in drawn animation, refers to ink lines that are coloured the same as the areas they enclose. The effect is thus that there are no visible trace lines...&#039;  
I&#039;ve seen this used to describe the style  you use, where the outlines are representative of the color(s) they&#039;re enclosing, rather than exactly matching.
Makes a nice stage between the &#039;black line&#039; and the &#039;fully painted&#039; styles.</description>
		<content:encoded><![CDATA[<p>I think your (cool) &#8216;no black lines&#8217; style is quite similar to &#8217;self-tracing&#8217; in animation art: &#8216;&#8230;in drawn animation, refers to ink lines that are coloured the same as the areas they enclose. The effect is thus that there are no visible trace lines&#8230;&#8217;<br />
I&#8217;ve seen this used to describe the style  you use, where the outlines are representative of the color(s) they&#8217;re enclosing, rather than exactly matching.<br />
Makes a nice stage between the &#8216;black line&#8217; and the &#8216;fully painted&#8217; styles.</p>
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		<title>By: Vin Altamore</title>
		<link>http://www.tomrichmond.com/blog/2009/11/08/sunday-mailbag-173/comment-page-1/#comment-56304</link>
		<dc:creator>Vin Altamore</dc:creator>
		<pubDate>Sun, 08 Nov 2009 15:55:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.tomrichmond.com/blog/?p=6664#comment-56304</guid>
		<description>I absolutely agree with you Tom...market one style and explore other styles for yourself...it&#039;s definitely less confusing for Art Directors.

I have seen Illustrators re-invent themselves (ie: Brad Holland) once they feel their work has become stagnant...but sometimes it can work as a detriment if the new style is not well received.

The Society Of Illustrators in N.Y. is offering a lecture given by Josh Gosfield and Eddie Guy who have actually changed styles!

Split Personality Illustrator Syndrome with Josh Gosfield/Gigi and Eddie Guy
http://societyillustrators.org/upcoming/gosfield_guy.cms</description>
		<content:encoded><![CDATA[<p>I absolutely agree with you Tom&#8230;market one style and explore other styles for yourself&#8230;it&#8217;s definitely less confusing for Art Directors.</p>
<p>I have seen Illustrators re-invent themselves (ie: Brad Holland) once they feel their work has become stagnant&#8230;but sometimes it can work as a detriment if the new style is not well received.</p>
<p>The Society Of Illustrators in N.Y. is offering a lecture given by Josh Gosfield and Eddie Guy who have actually changed styles!</p>
<p>Split Personality Illustrator Syndrome with Josh Gosfield/Gigi and Eddie Guy<br />
<a href="http://societyillustrators.org/upcoming/gosfield_guy.cms" rel="nofollow">http://societyillustrators.org/upcoming/gosfield_guy.cms</a></p>
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