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	<title>Comments on: Sunday Mailbag</title>
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	<link>http://www.tomrichmond.com/blog/2009/08/09/sunday-mailbag-160/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sunday-mailbag-160</link>
	<description>Tom Richmond- Cartoonist and Humorous Illustrator</description>
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		<title>By: Jeff Zugale</title>
		<link>http://www.tomrichmond.com/blog/2009/08/09/sunday-mailbag-160/comment-page-1/#comment-54832</link>
		<dc:creator>Jeff Zugale</dc:creator>
		<pubDate>Tue, 11 Aug 2009 18:35:46 +0000</pubDate>
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		<description>Hey Tom, thanks for the list. Just wanted to say I&#039;ve recently upgraded to Photoshop (and the whole Design suite) CS4, and I think you&#039;ll be pleased when you upgrade. It actually runs noticeably faster on my 2-year-old Mac than CS3 did, and most happily for me, they&#039;ve finally introduced the &quot;Rotate Page&quot; ability which allows you to grab the image and spin it around to different angles without actually changing the pixel placement - something that Painter has had for over a decade, and one of the main reasons I use Painter for drawing and painting.

Although I still prefer certain tools in Painter, I will be spending a lot more time in Photoshop for my commercial work, since the transform/manipulation tools like Perspective and Warp are so powerful and necessary for much of my illustrations. I&#039;ve had to bounce back and forth from Painter to Photoshop, which slows me down dramatically. I won&#039;t have to switch so often now, which is a relief.

You may find that with the Rotate Page tool, inking and even penciling in Photoshop will be far more comfortable for you, though I know of course it&#039;s very good to have paper originals to sell. For some quick commercial work you might want to try it. It&#039;s even easier than rotating a Cintiq around.</description>
		<content:encoded><![CDATA[<p>Hey Tom, thanks for the list. Just wanted to say I&#8217;ve recently upgraded to Photoshop (and the whole Design suite) CS4, and I think you&#8217;ll be pleased when you upgrade. It actually runs noticeably faster on my 2-year-old Mac than CS3 did, and most happily for me, they&#8217;ve finally introduced the &#8220;Rotate Page&#8221; ability which allows you to grab the image and spin it around to different angles without actually changing the pixel placement &#8211; something that Painter has had for over a decade, and one of the main reasons I use Painter for drawing and painting.</p>
<p>Although I still prefer certain tools in Painter, I will be spending a lot more time in Photoshop for my commercial work, since the transform/manipulation tools like Perspective and Warp are so powerful and necessary for much of my illustrations. I&#8217;ve had to bounce back and forth from Painter to Photoshop, which slows me down dramatically. I won&#8217;t have to switch so often now, which is a relief.</p>
<p>You may find that with the Rotate Page tool, inking and even penciling in Photoshop will be far more comfortable for you, though I know of course it&#8217;s very good to have paper originals to sell. For some quick commercial work you might want to try it. It&#8217;s even easier than rotating a Cintiq around.</p>
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		<title>By: Duane Hanson</title>
		<link>http://www.tomrichmond.com/blog/2009/08/09/sunday-mailbag-160/comment-page-1/#comment-54807</link>
		<dc:creator>Duane Hanson</dc:creator>
		<pubDate>Mon, 10 Aug 2009 13:25:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.tomrichmond.com/blog/?p=5864#comment-54807</guid>
		<description>It&#039;s always interesting to read what artists far more talented than I am use for materials.  Decades ago I used to read articles like this looking for the &quot;secret&quot; that would make my work look as good as the artist discussing his materials.  Now, many years later, I realize that the talents of wonderful artists like Tom Richmond aren&#039;t dependent on the tools they use--but I still find the information fascinating.</description>
		<content:encoded><![CDATA[<p>It&#8217;s always interesting to read what artists far more talented than I am use for materials.  Decades ago I used to read articles like this looking for the &#8220;secret&#8221; that would make my work look as good as the artist discussing his materials.  Now, many years later, I realize that the talents of wonderful artists like Tom Richmond aren&#8217;t dependent on the tools they use&#8211;but I still find the information fascinating.</p>
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		<title>By: Material Guy &#124; HyipLife.com - Information House</title>
		<link>http://www.tomrichmond.com/blog/2009/08/09/sunday-mailbag-160/comment-page-1/#comment-54794</link>
		<dc:creator>Material Guy &#124; HyipLife.com - Information House</dc:creator>
		<pubDate>Sun, 09 Aug 2009 19:42:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.tomrichmond.com/blog/?p=5864#comment-54794</guid>
		<description>[...] guy to ask. One right guy would be Tom Richmond, who does such splendid work for MAD Magazine. In this post, he tells of what he uses&#8230;and his whole blog is a trove of tips for those who wish to make [...]</description>
		<content:encoded><![CDATA[<p>[...] guy to ask. One right guy would be Tom Richmond, who does such splendid work for MAD Magazine. In this post, he tells of what he uses&#8230;and his whole blog is a trove of tips for those who wish to make [...]</p>
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